简介：迷幻(huàn )(🕕)少女遇著過氣(qì )公安(🐽)老頭(tóu )，未必是(🍩)貓捉老鼠累鬥累，也可(kě )以(yǐ )是從老前輩(bèi )身上(🆖)學(🥈)會(huì )認識(🌰)自己(jǐ )。阿 P 為追(🎾)阿初欠她(⏬)的(🎲)債，偶(🌗)然與阿初的(🚤)外公相遇，兩個生活態度南轅(yuán )北轍的(de )人，就是(🛹)這樣(yàng )在荒(🐖)謬的(de )處境(jìng )(🎿)中(zhōng )相互(hù )學(xué )習。阿P在當中看見(🥀)年青(🤯)一代(🐖)的(🤷)無奈：十六歲的迷途青(qīng )春(🌚)、(📯)愛情的(⏯)無助(zhù )、軟性(💱)毒品的蠶食、面對父母失敗的婚姻、自己渾(🌞)噩的前途....阿初(🈴)無(🍄)故(gù )失蹤(🤷)，又(yòu )是否因抵受不了同(👺)樣(⛳)殘酷的青春？世情像玻璃，有(🌮)時(shí )看得透，有(yǒu )時不，相同的只是(shì )：兩者同(tóng )樣冰冷(lěng )易碎(suì )。 The second feature from Hong Kong indie director Carol Lai is about the vulnerability of youth, made even more fragile by the vulnerable world of the adults. Grandpa Wu used to be a policeman in Mainland China and has now retired to a life of seclusion on an outlying island. One day, her daughter calls him up and reports that his granddaughter Ah Cho is again missing. The old man hits the road again, in search of the young girl. Then P, Ah Cho's best friend, emerges out of nowhere and heads Wu's search, leading the old man into a series of strange encounters in the uncharted world of frustrated youth. Source 25th HKIFF (2001)
迷幻(huàn )(🕕)少女遇著過氣(qì )公安(🐽)老頭(tóu )，未必是(🍩)貓捉老鼠累鬥累，也可(kě )以(yǐ )是從老前輩(bèi )身上(🆖)學(🥈)會(huì )認識(🌰)自己(jǐ )。阿 P 為追(🎾)阿初欠她(⏬)的(🎲)債，偶(🌗)然與阿初的(🚤)外公相遇，兩個生活態度南轅(yuán )北轍的(de )人，就是(🛹)這樣(yàng )在荒(🐖)謬的(de )處境(jìng )(🎿)中(zhōng )相互(hù )學(xué )習。阿P在當中看見(🥀)年青(🤯)一代(🐖)的(🤷)無奈：十六歲的迷途青(qīng )春(🌚)、(📯)愛情的(⏯)無助(zhù )、軟性(💱)毒品的蠶食、面對父母失敗的婚姻、自己渾(🌞)噩的前途....阿初(🈴)無(🍄)故(gù )失蹤(🤷)，又(yòu )是否因抵受不了同(👺)樣(⛳)殘酷的青春？世情像玻璃，有(🌮)時(shí )看得透，有(yǒu )時不，相同的只是(shì )：兩者同(tóng )樣冰冷(lěng )易碎(suì )。 The second feature from Hong Kong indie director Carol Lai is about the vulnerability of youth, made even more fragile by the vulnerable world of the adults. Grandpa Wu used to be a policeman in Mainland China and has now retired to a life of seclusion on an outlying island. One day, her daughter calls him up and reports that his granddaughter Ah Cho is again missing. The old man hits the road again, in search of the young girl. Then P, Ah Cho's best friend, emerges out of nowhere and heads Wu's search, leading the old man into a series of strange encounters in the uncharted world of frustrated youth. Source 25th HKIFF (2001)展开
